10 live albums that are better than studio albums


Any rock band knows that the stage is perhaps the purest way to deliver their magic to fans. While it’s nice to sit in the studio and tinker with your sound until you find something that works, getting into the thick of things and delivering the goods directly to your fans gives you a sense of camaraderie. with your fans and band mates. It’s never an easy thing to capture, but the moments when it happens shine brighter than any overdub could hope for.

Even though all of these live recordings may have flaws here and there, they are definitely more than your standard tour show. As you go through each of these records, you can hear each of these acts in rare form, pushing each other with all they have to do something spectacular for you.

Again, the greatest rock and roll albums tend to aim for something more than just showmanship, and some of the best live albums here are those where the band gets real in front of their audience, whether through banter or the hurt parts of their setlist, where the audience practically carries them through the rest of the song. Live music might not be the easiest thing to do all the time, but when it works this well, it can almost be healing for fans and artists alike.

Throughout his career, Neil Young has always wanted to move on. While some of his ’80s work may have been trips down big ditches along the way, Crazy Uncle Neil is still serving his muse, whether that means bringing Crazy Horse in or not. After the massive success of songs like Heart of Gold, he wanted to take things back to where he started on stage.

Coming off of his first string of hits with Crosby Stills and Nash, Rust Never Sleeps is a bit of a hybrid record by Neil’s standards, consisting mostly of live tracks from entirely new songs like Thrasher and Welfare Mothers. Being divided by the tone of the songs, each side of the record feels like a different experience of what Neil has to offer, like looking behind the curtain on the acoustic side before bringing the house down with electric guitars at the end of songs like Hey Hey My My.

Neil was never too subtle in his words, and you can hear him ready to free himself from all the commercialism that brought him down, from the rock and roll fallacy on the opening track to the implication that Crosby Stills and Nash were just a bunch of dead weight for him on Thrasher. Neil might have been on top of the world at this point, but it almost reminds fans of what success can bring. While it may sound fun, it’s not always easy at the top.

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