‘Bros’ is the first major gay romantic comedy studio and also too straight for its own good | Events and Movies | Tampa

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There’s a reason “Bros,” the self-proclaimed first gay-centric romantic comedy from a major Hollywood studio, flopped on its opening weekend, and it has nothing to do with the rampant homophobia, whatever his co-lead/co-writer/co-executive producer Billy Eichner would have you believe.

Though it’s peppered with some brutal and hysterical barbs and observations about life as anything other than heteronormative in today’s society, the reality is that “Bros” doesn’t have the guts to truly challenge. its audience with something original and provocative, and instead falls victim to the same creativity. pitfalls that derail many heterosexual romantic comedies.

Brothers
2.5 out of 5 stars
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Damn, “Bros” even has a musical interlude deep in its third act when Eichner’s character Bobby suddenly has a full band on standby so he can perform a savory love song he wrote. for her recurring boyfriend. Aaron (Luke Macfarlane).

PSA: There should be a moratorium in Hollywood on musical performances in comedy movies because, honestly, every movie since “Bridesmaids” that’s resorted to that trope is guilty of jumping on a bandwagon that’s already jumped the shark.

Anybody, Eichner went on a Twitter screed last weekend after “Bros” opened to a less than stellar $4.8 million in ticket sales.

He blamed poor early numbers on “straight people, especially in some parts of the country,” who “just didn’t show up for Bros.” And then he begged the rest of America asking “everyone who IS NOT a homophobic weirdo” to go see his movie.

Uh okay. It’s just tacky and weird and overly dramatic and will do absolutely nothing to help win over potential viewers who just didn’t go to the movies last weekend.

Here’s a thought, Billy.

Maybe a lot of these “straight people”, as well as a good number of LGBTQ+ viewers, live in Florida, which was hit by a hurricane two days before your big movie opened, and they were too busy to trying to recover their belongings or locating missing loved ones to stop and sit in a cinema that didn’t have the power to not watch a movie that honestly isn’t that good.

Again, “Bros” has a lot to defend. As well as being comically biting at times, it’s also surprisingly insightful and revealing of what life is like for a gay man, both historically and especially in 2022.

But when Debra Messing (“Will and Grace”) gets some of the biggest laughs and caustiest lines of dialogue, that’s a problem, especially because she’s in the movie for less than 10 minutes in total.

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