Luca Guadagnino draws the curtain on his Interiors studio


He organizes the installation as a set of two opposite living rooms. “It’s an idea that the studio wants to push,” he says, “is that the living room is [no longer] representative of the contemporary home – but you could come back to this, to this approach to your space in life. Eye-catching glass and metal sconces illuminate its bright idea of ​​a return to refined domestic life. “We are very proud to have finally reached the FontanaArte catalog with one of our projects,” he says of the legendary Italian firm that collaborated with him on the production of the sconces. Guadagnino enlisted another legendary studio, Spazio RT, for the woodwork that runs through each thumbnail. Against the luminous fireplace, the paneling is drawn in palm wood; against the more subdued stone iteration, the panels are crafted from a warm oak. “Conceptually, the spaces are the same,” he says. “But then the details change.”

The paneling of the opposite lounges was made by Spazio RT.

Photo: Giulio Gherardi

A view of the exhibition.

Photo: Giulio Gherardi

The muse of the “Accanto al Fuoco/By the Fire” exhibition is none other than the enigmatic Italian architect Carlo Scarpa, a figure whom Guadagnino admires for his “profound knowledge of materials and the way these materials intertwine”. . It’s definitely a must for Salone bustling crowds. “It’s a 21st century presentation,” he says, “but deeply rooted in what we do for the present in the future.”

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